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Maybe you also want to try searching for the melodic contour of your query, *UUUDDUDUDDUUDUUDDDUUUDDUUUUUUDDDUDDDUUUDDUDUDDUUDUUDDDUUUDDUUUUUUDDDUDDUUDRRRUDRRRUDRRRUDDUUDRRRUUUUUUDDDUDDDUDRRRUDRRRUDRRRUDDUUDDDUUUUUDDDUDDUUDUUDDUUDDDUDDUUUDUUDDUUDDDUDDUUDUUDDUUDDDUDDUUUDDDUUUDUDDDUDDDUUUDDUDUDDUUDUUDDDUUUDDUUUUUUDDDUDDDUUUDDUDUDDUUDUUDDDUUUDDUUUUUUDDDUDDUUDRRRUDRRRUDRRRUDDUUDRRRUUUUUUDDDUDDDUDRRRUDRRRUDRRRUDDUUDDDUUUUUDDDUDDUUDUUDDUUDDDUDDUUUDUUDDUUDDDUDDUUDUUDDUUDDDUDDUUUDDDUUUDUDDDUDDDU. (what? why?)
0 = Rh. 0 * 0.4 + P. 0 * (1-0.4) [F] Ed Reavy: The House of Hamill
 

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0.93325398155909 = Rh. 2.01 * 0.4 + P. 0.21542330259849 * (1-0.4) [F] Unfortunate Rake
 

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0.97835037720034 = Rh. 2.01 * 0.4 + P. 0.29058396200056 * (1-0.4) [F] Michel Pichon: Last Chance Bourree
 

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1.0041676445935 = Rh. 2.01 * 0.4 + P. 0.3336127409891 * (1-0.4) [F] Tradicional: Muñeira, area: Asturies, origin: Caliáu (Casu), source: Música Tradicional Asturiana, (C) Tello & Tito. Asturies, 2001.http://pagina.de/MusTradAst , notes: transcrito a Ceferino Traviesas, (Caliáu-Casu)
 

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1.0107057837385 = Rh. 2.01 * 0.4 + P. 0.34450963956412 * (1-0.4) [F] Trad.: Rezijanka II, source: Slovenia
 

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1.0107057837385 = Rh. 2.01 * 0.4 + P. 0.34450963956412 * (1-0.4) [F] Trip to London, area: Westmorland, origin: England, notes: P13 1/3
 

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1.0107057837385 = Rh. 2.01 * 0.4 + P. 0.34450963956412 * (1-0.4) [F] Browne A hand: Trip to London. BF11.28, area: Lakes, origin: England, source: MS11,c1800?.,Browne Coll.,Lakes
 

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1.0107057837385 = Rh. 2.01 * 0.4 + P. 0.34450963956412 * (1-0.4) [P] Hello Sailor: Gutter Black
Rhythm unknown! Please edit this melody if you know it! You would n...
 

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 look for this at Amazon.com/.de/.fr/.ca/.jp or Musicnotes.com/Sheetmusicplus

1.01707627829 = Rh. 2.01 * 0.4 + P. 0.35512713048338 * (1-0.4) [F] Miss Ramsey's
 

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1.01707627829 = Rh. 2.01 * 0.4 + P. 0.35512713048338 * (1-0.4) [F] Gan Ainm, discography: From an ancient tape, history: Played with 17 and 18 as a set Alternate bar 4 'dcBA BAGF' The 'B3' in bar 2 is a big slide. The third part is a variation of the first part., source: Des Donelly (fiddle), notes: As played
 

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Immediate Unity