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0 | 10 | 20 | 30 | 40 | 50 | 60 | 70 | 80 | 90 Maybe you also want to try searching for the melodic contour of your query, *RURDRUDDRUDDRUDDDDRURURDRUDDRUDDRUDDDDR. (what? why?) [F] Hip Hornpipe. WM.017, area: Kent, origin: England, source: Wm.Mittell's MS,New Romney,Kent,1799 view details, edit, or delete this entry Search the Web for this [F] Kent Hornpipe. WM.056, area: Kent, origin: England, source: Wm.Mittell's MS,New Romney,Kent,1799, notes: Untitled in MS. view details, edit, or delete this entry Search the Web for this [C] Rossini, Gioacchino: Il barbiere di Siviglia overture, 2nd theme view details, edit, or delete this entry Search the Web for this look for this at Amazon.com/.de/.fr/.ca/.jp or Musicnotes.com/Sheetmusicplus [F] Pigeon on the Gate, The, book: Ceol Rince na hEireann 2, 250(i). A version from Sonny McDonagh, Co. Sligo., history: See also #140, #141, #532, #653, #654, #656, notes: I have rewritten the notation a bit. view details, edit, or delete this entry Search the Web for this [F] Pigeon on the Gate, The, book: Ceol Rince na hEireann 2, #250(i), source: A different version from Sonny McDonagh, Co. Sligo., notes: I have rewritten the notation a bit. view details, edit, or delete this entry Search the Web for this [C] sh: 24 Präludien und Fugen op. 87 Nr. 5 Fuge view details, edit, or delete this entry Search the Web for this look for this at Amazon.com/.de/.fr/.ca/.jp or Musicnotes.com/Sheetmusicplus [F] John Peel, source: Kevin Briggs view details, edit, or delete this entry Search the Web for this [C] Rachmaninov, Sergei: sonata for cello/piano in Gmi, 3rd movement view details, edit, or delete this entry Search the Web for this look for this at Amazon.com/.de/.fr/.ca/.jp or Musicnotes.com/Sheetmusicplus [C] Mozart, Wolfgang Amadeus: violin concerto in D K218, 3rd movement, 3rd theme view details, edit, or delete this entry Search the Web for this look for this at Amazon.com/.de/.fr/.ca/.jp or Musicnotes.com/Sheetmusicplus [F] Polly Wolly Doodle, origin: American, source: Comando list, 7/97, Peter Freitag
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